|
|||||||||||||||||||||||
|
((CLICK
PICS FOR HI-RES SCANS))
|
|||||||||||||||||||||||
|
|
|||||||||||||||||||||||
|
I
truly love this album. So much in fact, that I would rate it as one of
my top favourite US privates.
Guitars like a rusty sawblade to your vertebrae and riffing that grabs
you by the neck and forces you to bang your fucking eyeballs out - in
each and every of the 8 songs! The vocal style of Mick Pendergast is yet
another thing I enjoy. His cool yet menacing voice comes off as a more
restrained young James Hetfield and blends perfectly with their Rock-hard
'Riff Metal'. On powerful-on-the-gigahertz-scale METAL pieces like "Vicious
Cycles", "12 a.m." and the incredible "The Jester" they almost come close
to BROCAS HELM-godliness (in the Frisco-trio's most straightforward moments)
while 200-titanium-rhinos-on-the-face-of-the-sun fakk-off-HEAVY monsters
like "The Slasher" and "Princess Down 20" tangent PENTAGRAM-heaviness
(well, more like DEVIL'S CHILDE actually). If there ever was an album
meant to be played LOUD! it's this one. Productionwise "12 a.m." may be
two inches away from a disaster, but the raw, distorted mixing doesn't
ruin the album in a Satan's Host kind of way, instead it just makes it
different, like a massive wall of sound crumbling down on you like manna
from hell. It could be the best basement demo ever recorded, and once
you've pulverized your speaker membranes with INNER SANCTUM, the distorted-to-bloody-hell
guitars will sound totally natural and in place. Now where do I squeeze
in the obvious BLITZKRIEG-comparison then? Hm…. |
|||||||||||||||||||||||
|
|
|||||||||||||||||||||||
| back to reviews | |||||||||||||||||||||||